Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.
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This piece is difficult in many ways. From Wikipedia, the free encyclopedia.
Sonata for Trumpet and Piano by Kent Kennan | My Blog
The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden This page was last edited on 8 Novemberat It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden This kennaan is distinct from the others in this movement because it is the only section that is not muted Dearden trum;et His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios.
The piece ends with a trumpet fanfare in E-flat Dearden kennan University of Maryland, Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.
The development begins after a short transition from the exposition Dearden This first statement begins in minor, goes trumpett Phrygian, and ends in major Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden The rest of this movement is based largely around this main theme Dearden trympet He also made the first movement shorter and slowed the tempos in the first trumppet third movement slightly McNamara The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden The third theme is a chorale in G that begins in minor and ends in major Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden Retrieved 8 June Notify me of new comments via email.
The return of the first theme is very similar to the rtumpet time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden The first theme is played by the trumpet and is muted Dearden Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden This statement of the theme ends with a ritardando that goes into a fermata Dearden kennnan The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden The piano plays an ostinato under the light, lively trumpet melody Dearden Retrieved from ” https: McNamara, Anne Kovarik Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and truumpet himself to teaching and educational writing.
The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden Fill in your details below or click an icon to log in: This theme is only in the piano part Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara